1,478 Royalty-Free Audio Tracks for "Midi Music"

*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53

*Tridecimal neutral third on C = E (Ben Johnston's notation). 16:13 = 359.47 cents. Limit: 13-limit. MIDI pitch bend: 4,83 on m3

*Wide augmented third on C = E#+ (Ben Johnston's notation). Just: 675/512 = 478.49 cents. Limit: 5-limit. MIDI pitch bend: 15,89 on M3

Midi file of Chorale Prelude Christ unser Herr zum Jordan kam BWV 684 from Clavier-Übung III created using lilypond

The second piece in the surviving fragments of Mozart's first compositions; from the Nannerl Notenbuch.

Suspended fourth chord on C in first inversion.

Major triad on C in first inversion.

Major triad on F in second inversion

Anfang des dritten Satzes aus Beethovens Opus 109

MIDI by the Mutopia Project

Adagio-Thema des ersten Satzes aus Beethovens Opus 109

3-2 Son Clave Pattern in duple time.

*13 steps in 15 equal temperament on C = A↑ (Easley Blackwood's notation). Equal-tempered: 213/15:1 = 1040 cents. MIDI pitch bend: 102,108 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Bb.

*14 steps in 15 equal temperament on C = B↓ (Easley Blackwood's notation). Equal-tempered: 214/15:1 = 1120 cents. MIDI pitch bend: 51,70 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~179,69 on B.

Habanera tresillo rhythm for comparison with 3:2 polyrhythm.

Fifteenth chord from Schoenberg on C

Major triad on C in second inversion.

6/8 clave, first form (standard pattern)

3:2 polyrhythm for comparison with the Habanera tresillo rhythm.

6/8 clave, second form (son clave)

Leck mich im Arsch

Fifth Symphony, opening, known as the "fate" motif.

*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

3 steps in just A12 on middle C: 30/23 = F = 459.99 cents.

Diatonic scale in 19-et on C. MIDI pitch bend matches intervals. Steps: 0, 3, 6, 8, 11, 14, 17, and 19. Cents: 0, 189.473684210526315789, 378.947368421052631578, 505.263157894736842105, 694.736842105263157894, 884.210526315789473684, 1073.684210526315789473, and 1200 cents. Created in Sibelius with midi pitch bend on 8 (6) different instruments.

Agnus Dei from Missa in Festis Apostolorum, instrumental midi version

B♭ natural minor scale ascending and descending.

6/8 clave, third form (rumba clave)

D chord in drop D tuning.

Shuffle pattern with staggered thirds played on piano.

Anfang des zweiten Satzes aus Beethovens Opus 109

Slendro vs whole tone scale on C

Minor major sixth chord on C.

Major triad on F in first inversion

In a triadic context chords with omitted thirds may be considered "indeterminate" triads.

*1 step in 72 equal temperament on C. Equal-tempered: 21/72:1 = 16.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 15.625 cents rather than 16.667. New version a PU on 43,69 for 16.6748046875 cents.

36-tet scale, or sixth-tone (1200/36 = 33.33 cents) scale, on C. MIDI pitch bend appears to match intervals.

*Septimal kleisma on C. Just: 225/224 = 7.71 cents. Limit: 7-limit. MIDI pitch bend: 60,66

Bach - Gigue from English Suite no. 1 in A Major, BWV 806, m. 38 MIDI

Uns ist ein Kind geboren, BWV 142 - 6 Immanuel

Bagatelles, Opus 33, no.4 by Ludwig van Beethoven, 2:51 minutes

Bagatelles, Opus 33, no.1 by Ludwig van Beethoven, 2:47 minutes

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

G♯ natural minor scale ascending and descending.

Piano Sonata No. 8 (Beethoven) second movement (Adagio cantabile) 12 KB, 5:03 minutes

*13 steps in 16-et on C = A♯ (Easley Blackwood's notation). Equal-tempered: 213/16:1 = 975 cents. MIDI pitch bend: 0,56

*Thirty-first harmonic on C = B. Just: 31:16 = 1145.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 31-limit. MIDI pitch bend: 53,78

*Hundred-fifteenth harmonic on C = A♯+. Just: 115:64 = 1014.59 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 23-limit. MIDI pitch bend: 86,68

*15 steps in 16-et on C = B (Easley Blackwood's notation). Equal-tempered: 215/16:1 = 1125 cents. MIDI pitch bend: 0,72

*Fifty-fifth harmonic on C = A↑. Just: 55/32 = 937.63 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 11-limit. MIDI pitch bend: 5,76